would this sound system be considered good.
Sure sounds sweet.
FOH; 4 x EAW KF600 3 way Tops, 4 x EAW SB600 and 4 x CVA 1 x 18″Sub Bass, driven by C-Audio RA2/3/4000 plus 1 x Amcron Macrotech VZ5000 and 1 x EV P3000, with 2 x EAW MX800i analogue system controllers. 40 Hz – 19 KHz +/- 3db @ 118dba with 3db headroom, System Power 12Kw RMS.FOH Control: 1 x Soundcraft Spirit Digital 328XD with 1 expander, 24 channels available (inputs can be increased to 32, with 2nd expander, available on request) – Gate/Comp on each Channel, 8 subgroups, inputs have insert on ¼” TRS. 6 x pre/post switchable auxs, 2 of which feed onboard Lexicon MXP (these have dedicated returns, with same strip as inputs)1 x Yamaha SPX 900 Multi FX1 x Roland SDE3000 Digital Delay unit (able to be used as Tap Delay)6 x Noise Gate, 6 x Compressor (with exciter/de-esser, etc)XTA 1/3 octave FOH EQTascam Pro CD player with Hot-start etc.Fully multipin loomed to desk, patchable as required.1 x Canford comms belt pack with headset.Located FOH rear, house right – clear sight lines to stage.Monitors: 2 x 15 +2” Bi Amp Wedges plus 2 x EAW SM222 passive Wedges, plus 1 x Active Drum Fill – 2 x 15” + 2”. Driven by Matrix and C-Audio amplifiers with 1 x Digital system controllerApproximately 115dba with 3db headroom (with Wedges High-Passed @ 60Hz) – System Power 6Kw RMS Monitor Control;1 x Soundcraft Spirit Digital 324 with 1 expander, 24 channels available (inputs can be increased to 32, with 2nd expander, available on request) – 4 subgroups, inputs have insert on ¼”TRS. 6 x pre/post switchable auxs, 2 of which feed onboard Lexicon MXP (these have dedicated returns, with same strip as inputs). Alternatively, mixes 5 or 6 are available on XLR out (this disables the associated onboard FX) Further Stereo mix is available if required.Note; This desk only has 2, assignable, onboard dynamics.4 Gates, 4 Klark Teknic Compressors, 1 x Yamaha REV500 Reverb/Delay.8 channels Court GE60 inductor-based 1/3 octave EQ (at least XTA standard, if not significantly better). 1x Tecpro Comms master station, with headset.
MICS/DI’S/STANDS:
7 x SM58, 4 x SM57, 1 x Sennheiser 845, 1 x Sennheiser 935, 4 x Sennheiser E604, 2 xSennheiser K3U/ME40 condenser, 1 x Sennheiser MD421, 1 x Shure Beta91, 1 x AKG112. 6 x EMO passive DI Box, 8 x Behringer active DI Box (please note that these are the ones that look like silver BSS, NOT the horrible crappy ones, and they don‘t overload if you use the pads correctly). Various Y /Z leads and combiners as required.Various Full Boom/ Tele Boom/ Mini Boom/ Kik Boom/ Banquet stands and range of Clips.1 x Shure Beta58 UHF wireless mic is available (request in advance please, it belongs to the House Engineer..)
RIDER COMPLIANCE:
Additional sound equipment may be added/substituted as required, but may incur costs to the visiting production. Touring Desks, microphones etc, are welcome, but please notify in advance.
LIGHTING:
FOH Bar – 4 x 1000 watt Parcans for face light, 3 Robe 250at’s & 2Front Goal-Post Double Trilite Truss (spans spaced vertically 24” apart) with 8 x MFL PAR64 1000w. Dimmer capacity for a further 8 lamps (4 circuits) on 16a Ceeforms. Further 2 x 13a plus DMX feed.Rear Trilite Span, flown and fixed, full width with 12 x MFL PAR64 500w plus DMX feed.Note that while there is DMX, there is no 240v, although you could power, say 4 x 250w moving lights from the 13a stage sockets below.Rear Horseshoe shaped Truss behind Drum Riser, 7’ High, with 2 x MFL PAR64 500w. Dimmer capacity for further 4 x 500w lamps (1 circuit only) on 16a Ceeform, plus DMX feed. 3 x spare 13a sockets below.DSL & DSR Trilite legs each with 3 x PAR56 LED, DMX feed and 2 x Spare 13a Sockets. 14 x 4-cell LED fixtures which provide colour washes, etc (and SERIOUSLY good strobe effects..) 6 x 4 cell LED bars (similar effect to rows of 4 pin-spots, with variable colours)1 x Chauvet Hurricane Smoke MachineLumidesk Software Controller running on PC – DMX line is accesible for visiting Desk if required.System as described is fully patched, tested and ready to go. Be aware that this is a fixed installation, so lamps can not really be moved (apart from re-focussing, if you must). Also, there is no Gel Box (so don’t ask!) Moving Lights can be moved, to a degree, although we would rather you didn’t. Desk contains a selection of default presets – four colour wash, a couple of can chases, numerous ML setups and some stuff with the Lasers. The operator is welcome to add anything they need to our programming or to request a DMX patch or blank show file so they can create their own show. All equipment manuals are on site, at FOH Control. There are no Floor Cans, Specials or Follow-Spots, so please bear this in mind.
LASERS:
2 x Laserworld 1800w RGBBoth controlled either via DMX or DLNA through the control PC in the main control area.
PROJECTION:
InFocus IN26+ Multi-standard Projector (2400 Lumen) fed from DVD Player or Computer (1024 x 768 resolution), flown from FOH Ceiling.10ft (diagonal) 4:3 motorised remote control Screen, flown from front truss.Note that this obscures the Stage, so can only be used when there is no band playing!
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Possibly had a glass of wine or two.
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would this sound system be considered good.
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